The best audio interface with MIDI input combines clean recording, dependable computer connectivity, and direct control of keyboards, drum machines, and other MIDI hardware. The right model depends on how many inputs you need, whether you plan to expand, and how much hands-on monitoring control matters.
This roundup compares 10 options ranging from compact two-channel interfaces to larger multichannel units with ADAT expansion. Use the guide below to narrow the choices by studio size, recording style, and budget.
Best 10 Audio Interface with Midi Input Picks for 2026
Maximum I/O Choice
- 18x20 USB audio/MIDI I/O with ADAT expansion
- Eight MIDAS mic preamps with phantom power
- Supports 24-bit/96 kHz recording
Best For: Larger recording setups needing extensive inputs and outputs
Versatile Studio Hub
Focusrite Scarlett 4i4 4th Gen
- MIDI I/O plus four line inputs and outputs
- Two mic preamps and two Hi-Z inputs
- Includes Auto Gain, Clip Safe, and Air mode
Best For: Desktop producers connecting MIDI gear and multiple instruments
Rugged Four-Channel Value
- Four-in/four-out USB audio with MIDI I/O
- Four mic preamps with +48V phantom power
- 24-bit/192 kHz support and metal chassis
Best For: Affordable four-input recording with basic MIDI connectivity
Compact Recording Pick
Focusrite Scarlett 2i2 4th Gen
- Two mic preamps and two Hi-Z inputs
- 24-bit/192 kHz with 120 dB dynamic range
- Includes Auto Gain, Clip Safe, Air mode, and software
Best For: Solo vocals, guitar, and simple two-source recording
High-Resolution Flexibility
- 32-bit/192kHz 2-in/2-out recording with MIDI I/O
- DSP-powered monitoring with reverb and amp effects
- USB-C connectivity and Windows, macOS, and iOS support
Best For: Musicians needing high-resolution audio, MIDI, and onboard monitoring effects
Vintage-Toned Recording
- 2x2 USB-C interface with MIDI connectivity
- Vintage mode emulates UA 610 preamp character
- Up to 24-bit/192kHz recording with mobile support
Best For: Musicians and creators seeking portable recording with vintage-style tone
Rugged MIDI Recording
- 2-in/2-out 24-bit/192kHz recording with MIDI I/O
- Onyx preamps, 48V phantom power, and Hi-Z input support
- Bus-powered USB operation with zero-latency direct monitoring
Best For: Musicians wanting a durable, portable two-channel MIDI interface
Best Compact Pick
Focusrite Scarlett Solo 4th Gen
- 24-bit/192kHz recording with 120dB dynamic range
- Air modes for vocals and guitars
- Includes several recording tools and plugins
Best For: Solo vocalists and guitarists
Best MIDI Value
- Built-in MIDI I/O for keyboards and hardware
- Two combo XLR/TRS inputs and four outputs
- Includes inserts and 24-bit/192kHz conversion
Best For: MIDI-equipped home studios
Best Vintage-Style Sound
- Vintage mode inspired by UA 610 preamps
- 24-bit/192kHz recording support
- Compatible with computers and selected mobile devices
Best For: Solo musicians wanting colored preamp sound
Maximum I/O Choice – Behringer UMC1820
If you need an audio interface with midi input for a larger recording setup, the Behringer UMC1820 provides 18 inputs and 20 outputs over USB, plus ADAT I/O. Its eight MIDAS-designed mic preamps and 24-bit/96 kHz support make it suited to recording multiple microphones and instruments at once.
Best For: Home studios and project studios that need extensive simultaneous I/O and room to expand with ADAT.
Pros:
- 18×20 USB audio/MIDI connectivity with ADAT I/O
- Eight mic preamps with +48V phantom power
- Supports up to 24-bit/96 kHz recording
- Compatible with popular software including Pro Tools, Ableton Live, and Cubase
Cons:
- Larger and heavier than the compact interfaces here
- 96 kHz maximum sample rate is lower than some smaller alternatives
The UMC1820 is the strongest fit when channel count matters more than portability. Choose it for multi-mic sessions, larger ensembles, or an expandable studio system.
Versatile Studio Hub – Focusrite Scarlett 4i4 4th Gen
The Focusrite Scarlett 4i4 4th Gen is a flexible audio interface with midi input for musicians connecting microphones, guitars, synths, and drum machines. It combines MIDI I/O with two mic preamps, two Hi-Z inputs, four line inputs, and four line outputs in a compact USB-C interface.
Best For: Producers and musicians who need MIDI connectivity alongside several line-level and instrument connections.
Pros:
- Includes MIDI I/O, four line inputs, and four line outputs
- Two mic preamps and two Hi-Z instrument inputs
- 24-bit/192 kHz support with 120 dB dynamic range
- Auto Gain, Clip Safe, Air mode, and bundled recording software
Cons:
- Offers fewer total inputs than the UMC1820
- Requires the included USB-C power supply in some setups
The 4i4 balances connectivity and size well. It is a practical choice for a growing desktop studio with MIDI hardware, instruments, and monitor outputs.
Rugged Four-Channel Value – Behringer UMC404HD
The Behringer UMC404HD is a straightforward audio interface with midi input for recording up to four sources. It offers four mic preamps, one MIDI I/O, 24-bit/192 kHz support, and a metal chassis for a durable desktop or rack-adjacent studio setup.
Best For: Budget-conscious musicians who need four analog inputs and basic MIDI connectivity.
Pros:
- Four inputs and four outputs over USB
- One MIDI input/output connection
- Four MIDAS-designed mic preamps with +48V phantom power
- Impact-resistant metal chassis and 24-bit/192 kHz support
Cons:
- Fewer advanced workflow features than the Scarlett 4i4
- Supplied software compatibility is specifically listed around Pro Tools, Ableton Live, and Cubase
The UMC404HD focuses on core recording connections and sturdy construction. It is a sensible pick when four inputs, MIDI, and high-resolution recording are the priorities.
Compact Recording Pick – Focusrite Scarlett 2i2 4th Gen
For solo recording and small setups, the Focusrite Scarlett 2i2 4th Gen is a compact audio interface with midi input needs covered through its included studio workflow and USB connectivity, while its two mic preamps and two Hi-Z inputs handle microphones and guitars. It supports 24-bit/192 kHz recording and includes useful gain-assistance features.
Best For: Solo musicians, vocalists, and guitarists who primarily record one or two sources at a time.
Pros:
- Two mic preamps and two Hi-Z instrument inputs
- 24-bit/192 kHz operation with 120 dB dynamic range
- Auto Gain and Clip Safe help manage recording levels
- Air mode and bundled recording software are included
Cons:
- Does not provide dedicated MIDI I/O in the supplied specifications
- Only two inputs and two channels for simultaneous recording
The 2i2 is the smallest and lightest option in this group, making it easy to place on a desktop or carry between locations. Choose it for simple microphone-and-instrument recording rather than hardware MIDI integration.
High-Resolution Flexibility – Yamaha URX22C
The Yamaha URX22C is a strong audio interface with MIDI input for musicians who want two combo inputs, high-resolution recording, and onboard monitoring effects. Its USB-C connectivity, MIDI I/O, and rugged metal housing make it a versatile choice for desktop or mobile setups.
Best For: Musicians and creators who want DSP-powered monitoring, MIDI connectivity, and 32-bit/192kHz recording.
Pros:
- Supports 32-bit integer/192kHz audio with 2-in/2-out analog I/O and MIDI I/O.
- Two XLR/TRS combo inputs include Class-A D-PRE preamps, +48V phantom power, and one Hi-Z input.
- DSP-powered latency-free monitoring includes REV-X reverb, Channel Strip, and Guitar Amp Classics.
- Works with Windows, macOS, and iOS and includes Steinberg software.
Cons:
- Its feature set may be more than needed for a basic two-input recording setup.
- The listed one-year warranty applies under Yamaha’s stated authorized-retailer and regional conditions.
The URX22C stands out when MIDI input, high-resolution capture, and direct monitoring effects all matter. It is a particularly capable option for compact recording rigs that may also connect to iOS devices.
Vintage-Toned Recording – Universal Audio Volt 2
The Universal Audio Volt 2 is an audio interface with MIDI input designed for musicians, podcasters, and streamers who want a compact 2×2 USB-C setup. Its Vintage mode adds 610 preamp-style character, while 24-bit/192kHz conversion supports detailed recording.
Best For: Home recordists and content creators who want portable recording with vintage-style preamp coloration.
Pros:
- Offers 2×2 USB-C connectivity with MIDI for instruments and controllers.
- Vintage mode is designed to provide the sound of UA’s classic 610 preamps.
- Supports recording at up to 24-bit/192kHz quality.
- Compatible with macOS, Windows, iPad, and iPhone, with included software and learning resources noted by the manufacturer.
Cons:
- iPhone and some iPad setups require an external Volt power supply and Apple Lightning to USB Camera Adapter.
- The supplied notes list Windows and macOS in the operating-system details, while mobile use has additional requirements.
The Volt 2 is a practical pick if you value simple MIDI-equipped connectivity and a selectable vintage character. Its mobile compatibility broadens its use, but check the power and adapter requirements before recording on iOS.
Rugged MIDI Recording – Mackie Onyx Producer 2-2
Mackie Audio Interface, Onyx Producer 2X2 USB Audio Interface with MIDI (Onyx Producer 2-2)
Check Price On AmazonThe Mackie Onyx Producer 2-2 is an audio interface with MIDI input for straightforward two-channel recording. It combines Onyx mic preamps, combo inputs for microphones and instruments, zero-latency direct monitoring, and bus-powered USB connectivity in a durable enclosure.
Best For: Musicians who want a simple, portable 2×2 interface with MIDI, Hi-Z inputs, and direct monitoring.
Pros:
- Provides 2-in/2-out 24-bit/192kHz recording plus MIDI I/O.
- Two Onyx mic preamps include 48V phantom power for condenser microphones.
- XLR/TRS combo inputs accept mic, line, and Hi-Z instrument sources.
- Bus-powered USB 2.0 operation, zero-latency direct monitoring, and a built-like-a-tank design suit mobile recording.
Cons:
- USB 2.0 is an older connection standard than the USB-C interfaces in this roundup.
- The supplied compatibility details are somewhat inconsistent, listing both Windows and iOS/macOS references.
The Onyx Producer 2-2 focuses on essential recording controls rather than extra DSP effects. Its MIDI I/O, flexible combo inputs, and bus-powered design make it a sensible choice for musicians who prioritize durability and portability.
Best Compact Pick – Focusrite Scarlett Solo 4th Gen
The Focusrite Scarlett Solo 4th Gen is a compact choice for anyone seeking an audio interface with MIDI input alternatives in a simple recording setup. It combines one XLR microphone preamp, one Hi-Z instrument input, USB connectivity, and up to 24-bit/192kHz recording in a portable enclosure.
Best For: Songwriters and solo musicians recording vocals and guitar with a computer, iPad, or compatible mobile setup.
Pros:
- 120dB dynamic range and 24-bit/192kHz recording support.
- Air modes add presence and harmonic drive to vocals and guitars.
- Includes Pro Tools Intro+, Ableton Live Lite, Cubase LE, and Hitmaker Expansion.
- Compatible with Mac, Windows, and iPad.
Cons:
- Has one XLR microphone preamp and one instrument input, limiting multi-source recording.
- The supplied notes do not list built-in MIDI input.
Choose the Solo 4th Gen when straightforward vocal-and-instrument recording matters more than MIDI hardware connectivity. Its software bundle, portable size, and Air modes make it a practical starter interface for a focused studio setup.
Best MIDI Value – Behringer UMC204HD
The Behringer UMC204HD is a strong fit for shoppers specifically looking for an audio interface with MIDI input. It provides two combination XLR/TRS inputs, built-in MIDI I/O, four outputs, inserts for external effects, and 24-bit/192kHz converters for a flexible computer-based studio.
Best For: Home studios using MIDI keyboards, control surfaces, external hardware, microphones, and instruments.
Pros:
- Built-in MIDI I/O connects keyboards and other MIDI hardware.
- Two combination XLR/TRS inputs support microphones, instruments, and line-level sources.
- Offers 2×4 routing, analog playback options, and two inserts for external effects.
- Midas-designed mic preamps and up to 24-bit/192kHz resolution.
Cons:
- At 1.4 pounds, it is less lightweight than some compact interfaces.
- The supplied operating-system details list Windows support only.
The UMC204HD is the clearest match here for a MIDI-centered workflow. Its input flexibility and hardware connections make it more suitable than a basic two-channel interface for producers integrating keyboards, control surfaces, and outboard effects.
Best Vintage-Style Sound – Universal Audio Volt 1
The Universal Audio Volt 1 is a compact USB interface for musicians who want an audio interface with MIDI input compatibility alongside a focused one-input recording setup. It supports microphone and guitar recording, MIDI devices, 24-bit/192kHz quality, and Vintage mode modeled after UA’s classic 610 preamps.
Best For: Solo musicians and mobile recordists who want Vintage-mode preamp color and compatibility with MIDI devices.
Pros:
- Vintage mode is designed to deliver the character of UA’s classic 610 preamps.
- Supports up to 24-bit/192kHz recording.
- Works with Mac, Windows, iPad, and iPhone with the required accessories or power supply.
- Includes access to LUNA and a selection of music software and instruments.
Cons:
- Its focused two-channel design is less suited to recording several sources at once.
- Mobile use may require an external Volt power supply and, for some Apple devices, a Lightning adapter.
- The supplied notes identify MIDI devices as compatible but do not specify built-in MIDI ports.
Volt 1 makes sense when preamp character and mobile flexibility are priorities. It can accommodate MIDI-based setups, but shoppers needing clearly documented onboard MIDI I/O may prefer the Behringer UMC204HD.
How We Picked the Best Audio Interface with Midi Input
We focused on interfaces that include standard MIDI connectivity alongside audio inputs and outputs, rather than models that require a separate MIDI adapter. The selection covers compact one- and two-input designs, flexible four-channel interfaces, and the Behringer UMC1820 for larger tracking setups and ADAT expansion.
We also considered preamp features, maximum recording resolution, USB-C or USB connectivity, monitoring options, software support, and practical workflow details such as direct monitoring and independent outputs. Because the 10 interfaces target different users, the best choice is not necessarily the one with the highest specification.
Quick Comparison
| Best for | Recommended models | Why consider them |
|---|---|---|
| Solo recording | Focusrite Scarlett Solo, Universal Audio Volt 1 | Compact designs for one microphone or instrument at a time |
| Two-person recording | Scarlett 2i2, Yamaha 2-in/2-out, Volt 2, Mackie Onyx Producer 2X2 | Two combo inputs and straightforward desktop workflows |
| Small production setup | Scarlett 4i4, UMC204HD, UMC404HD | More inputs and outputs for synths, hardware, or multiple sources |
| Multichannel recording | Behringer UMC1820 | Eight mic/line inputs with ADAT expansion potential |
Key Buying Factors for an Audio Interface with Midi Input
MIDI Connections and Hardware Workflow
Check that the interface provides both MIDI In and MIDI Out if you need two-way communication with a keyboard, synthesizer, drum machine, or external sequencer. MIDI does not carry audio, so you will still need suitable audio inputs to record the sound from your hardware.
Input and Output Count
Two inputs suit vocals, guitar, stereo keyboards, and basic overdubbing. Choose four or more inputs when recording a small group, connecting several hardware instruments, or leaving multiple sources permanently wired. Extra line outputs are useful for external effects, monitor switching, or separate headphone and cue mixes.
Recording Quality and Latency
24-bit recording is standard for serious home production, while 192 kHz support is not essential for every project. Prioritize stable drivers, low-latency monitoring, and dependable performance over headline sample-rate numbers. Direct monitoring can help when software monitoring introduces distracting delay.
Expansion and Connectivity
If your setup may grow, ADAT-equipped models such as the UMC1820 can add compatible external preamps later. Also confirm the interface works with your computer, available USB ports, operating system, and preferred recording software. USB-C describes the connector in many newer models, but performance and included cables can vary.
Who Should Buy Which Audio Interface with Midi Input?
Choose the Scarlett Solo or Volt 1 for a compact, mostly solo setup with one primary microphone or instrument. The Scarlett 2i2, Volt 2, Yamaha interface, or Mackie Onyx Producer 2X2 is a better fit for stereo recording, two microphones, or two-person sessions.
Move to the Scarlett 4i4, UMC204HD, or UMC404HD if you use several synths, need additional outputs, or want room to expand a desktop production rig. Choose the UMC1820 when you record multiple microphones at once or expect to build a larger ADAT-based studio. In every case, verify the input type, MIDI routing, and monitoring requirements before purchasing.